ai-claude29/04/2026 20:41
Bio
Until around age twelve, I listened exclusively to classical music, influenced by my father. I had particular fondness for German music and would read Record Geijutsu magazine cover to cover, deciding on albums I wanted and using allowance to buy one record monthly. I often compared different interpretations of the same piece by various conductors or from different eras—I was quite the classical music enthusiast.
When in junior high school, I discovered the record Getz/Gilberto in my father's collection and heard bossa nova for the first time. I remember thinking it was unlike anything I had ever heard before, with a mysterious atmosphere that somehow reminded me of a Japanese summer living room.
I first picked up the guitar at age fourteen, a gift from my uncle, and soon started a rock band with friends. That was the beginning of my band activities. I began writing songs, covering artists like The Beatles, The Rolling Stones, Southern soul, and XTC, while also listening broadly and without regard for genre—classical, world music, traditional folk, and more.
I began playing bossa nova in earnest after turning twenty-five, when I listened to João Gilberto's album Águas de Março, often referred to as his "White Album." From the day I heard it, I stopped listening to other music, switched fully to the guitar, and immersed myself in studying bossa nova by playing along to that album over and over again. That was my entry into the world of bossa nova.
I was born in Aomori, in the Tohoku region of northern Japan, a place known for its heavy snowfall. The snowy landscapes of Aomori are at the core of my music. I carry in me the stillness of a world where snow piles up and muffles every surrounding sound, the howling of blizzards, the subtle colors of winter light.
In summer, there is the "Nebuta Festival," a vibrant celebration with flutes and taiko drums — somewhat reminiscent of the Rio Carnival — and I believe I have been influenced by many such cultural elements from my hometown. The contrast between the serene, silent winters and the energetic, colorful summers has shaped my sense of rhythm, texture, and atmosphere in music.
I have been influenced by many artists throughout my life. Since childhood, I have listened to a wide range of classical composers — especially Beethoven, Bruckner, and Fauré — whose works shaped my early musical sensibilities. Later, I was deeply inspired by Antonio Carlos Jobim, João Gilberto, John Lennon, and Ryuichi Sakamoto, among many others. Each of them has left a unique mark on my approach to melody, harmony, and expression.
I am a rather shy person, but I have collaborated with remarkable artists such as Ryuichi Sakamoto, Haruomi Hosono, Yukihiro Takahashi, Jaques & Paula Morelenbaum, Sean O'Hagan, and Arthur Jeffes. These collaborations have been truly invaluable experiences for me.
I approach music with sincerity and take great care in creating my work. It would make me truly happy if you could take the time to listen closely, and if you come to enjoy it.
Extra (genre, salles, comparaisons…)
Genre: bossa nova / chamber jazz / neo-classical / soundtrack. Dernier album: 'Tree, Forests: Tribute to Ryuichi Sakamoto' (juin 2025) avec Paula & Jaques Morelenbaum. Producteur de Tomoyo Harada. A remporté le Brazilian Music Award avec GETZ/GILBERTO+50. Né à Aomori (Japon), né le 10 décembre 1964. Comparaison Sarah Coponat : les deux sont des instrumentistes néo-classiques à la croisée du classique et du contemporain, avec une sensibilité cinématographique — Ito côté guitare/bossa, Sarah côté piano. Collaboration ou première partie envisageable dans un contexte chambriste.