ai-claude29/04/2026 21:01
Bio
Jung Jaeil, the multi-award-winning South Korean composer behind the sensational Parasite and Squid Game soundtracks, has signed to Decca Records. The first project in this new partnership will be the international release of his choral-electronic album psalms on 22 July, in partnership with Universal Music Korea.
Jung's soundtrack work garnered international acclaim in 2019 with the score for Bong Joon-ho's Oscar and BAFTA-winning box office hit Parasite. The film proved a global sensation, becoming the first ever foreign-language film to win the Academy Award for Best Picture. This was followed by the soundtrack for Netflix's smash show Squid Game in 2021, which stands as the platform's most-watched series ever. He also collaborated with Bong Joon-ho on the music to the award-winning 2017 Netflix film Okja, starring Tilda Swinton and Jake Gyllenhaal.
Jung Jaeil says of his signing, "I grew up listening to countless albums from Decca so am truly amazed that my music is now being released on Decca and I'm getting to join an archive filled with historical recordings from the legends. For my album 'psalms', I found so many prayers from the Bible that relate to our current lives, so I sincerely hope that this work can resonate through the difficult times."
A genre-defying musician, Jung Jaeil has woven famous classical musical quotations seamlessly into his soundtrack work – composers like Handel, Beethoven and Johann Strauss can all be heard in the Squid Game and Parasite scores. In addition to his orchestral soundtracks, he has collaborated with some of the biggest names in K-pop, writing songs for artists such as Hyo Shin Park (with Wild Flower reaching No.1 in the Korean charts) and IU.
On psalms, Jung interweaves choral a cappella (performed by the Budapest Scoring Orchestra and Choir) with electronic sounds and string ensemble. The music commemorates the 40th anniversary of the May 18th Democratic Uprising of Gwangju, South Korea, and uses Psalm verses from the Bible as text. It was originally scored for the audio-visual film and exhibition Round and Around, bringing to life pivotal moments from Korean history, directed by Jang Minseung and produced by the Korean Cultural Centre UK and the Korean Film Archive.
Having taken up piano at the age of three and guitar aged nine, Jung Jaeil went on to graduate from the Seoul Jazz Academy. By this time, Jung's career in the soundtrack world was already underway, having worked on the score for his first film Bad Movie at the age of 15. His music for film has earned such accolades as Best Original Score for a TV Show or Limited Series at the 2021 Hollywood Music in Media Awards (for Squid Game) and Best Music at the 2020 Grand Bell Awards (for Parasite).
Alongside his work as a composer, Jung Jaeil excels as a performer of multiple instruments, including guitar, bass, piano and drums and has even performed the musical saw and recorder on his soundtracks. Besides working as a session musician on over 200 K-pop albums, he has played in popular Korean groups 'gigs' and 'Puri'. Jaeil has been musical director on numerous musicals including Jesus Christ Superstar and Linie I, and plays such as Incendies, Macbeth and Salome. He is a frequent collaborator on dance productions including Little Prince with the Korea National Contemporary Dance Company and Change of Seasons with the ballerina Juwon Kim.
Jung Jaeil performed piano at the historic April 2018 Inter-Korean Summit between Moon Jae-in, President of South Korea, and Kim Jong-un, Supreme Leader of North Korea.
Extra (genre, salles, comparaisons…)
Genre: classical crossover / film score / choral-electronic. Signé Decca Records. Multi-instrumentiste (piano, guitare, basse, batterie). A joué du piano au sommet inter-coréen 2018. Album solo 'psalms' (chorale + électronique). Comparaison Sarah Coponat : univers néo-classique partagé mais Jung Jaeil est ancré dans le cinéma (Bong Joon-ho) et le crossover K-pop, là où Sarah est en émergence live/streaming en Europe — potentiel de co-bill sur festivals type classique contemporain.